Monday, August 20, 2007

Win Tickets to Our Premiere!

Eng Tiong posing with our teaser poster.


Our teaser poster will be up in GV cineplexes this week! The above picture is a test of our poster in the lightbox. Looking good!

In addition, our trailer will also be out this week in selected GV theatres.

Help us spot our posters and trailers! Leave a comment and tell us where you've seen them. Especially for our trailer, let us know:

1. Which GV cineplex?
2. W
hich movie you've caught with our trailer?
3. Which hall?

4. The movie's showtime

That'll greatly help us evaluate our marketing strategy!

For your kind help, we've rummaged through our drawers and closets to find a good reward...

The one who spots the most teaser poster locations & trailer spots will win A PAIR OF MOVIE TICKETS TO OUR CHARITY PREMIERE OF TRUTH BE TOLD ON SEPTEMBER 27, 2007!

Happy spotting! :)

Wednesday, August 08, 2007

Test Screening at GV


Back in Singapore, we've tested our 35mm trailer and feature at a GV Grand theatre last week. Our DP Amandi was also with us. It felt great to finally watch our baby in 35mm film print and in a commercial cinema theatre!

Everything looks in order - no damage to our film on the way back from Hong Kong. Phew!

Friday, July 27, 2007

10 Days in Hong Kong

July 26, 2007 officially wraps up post production. TRUTH BE TOLD is finally on 35mm! *pops champagne*

For the past 2 weeks, we were back in Hong Kong to complete the process. At Digital Magic, we went through a final round of colour grading on Da Vinci for film output. Then it's the kine transfer (from video to film) at Mandarin Labs.

It's quite strange to be in the lab alongside other upcoming Hong Kong films such as Flash Point and 19 Gates of Hell as well as Filipino & Indonesian films. But well... we'll get used to it!

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Colour grading at Digital Magic on a Da Vinci system & monitoring through a true HD professional monitor.

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At the Mandarin Lab's Preview Room where we view our 35mm trailer & feature answer prints. Eng Tiong (facing camera) conversing with our Digital Magic Production Manager Ka Lik before the screening.

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A workroom in Mandarin Labs. 1 word - WOW!

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This machine colour grades the film print. It kicks out a strip of paper containing the encoded info and feeds it into the film developing machine.

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A film can - Reel 3 of 5 - containing our feature's answer print.

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The moment we've been waiting for... watching TRUTH BE TOLD on 35mm!



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Viewing a reel on a Steenbeck - Eng Tiong (left) with Ka Lik (centre) and "Sifu" reviewing scenes that require some further colour tweaking.

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Eng Tiong holding on to our "precious". 4 years of blood and sweat!


Jen Nee holding on to "precious no. 2" - trailer prints!


Packing them all up to bring back to Singapore! TRUTH BE TOLD in 5 reels weigh approximately 20 kg.

Wednesday, June 27, 2007

1 Day in Hong Kong

Eng Tiong was in Hong Kong on June 26, hand-carrying our precious works to Digital Magic for film transfer.

Here's his journey, in pictures...


Saturday, June 16, 2007

In the News

All thanks to the Cannes trip & MDA’s strong support, Pilgrim Pictures and Truth Be Told is covered rather extensively in the media within the space of a week!
  • TV News on Channel News Asia on May 22, 2007. (Although we completely missed that because we’re still in Cannes. What a bummer!)

  • The Straits Times Life! Section (page 8 & 9) on May 24, 2007 - “Singapore films go pitch perfect in Cannes”

  • Today (page 54) on June 1, 2007 - “Good Times”

  • The Straits Times Life! Section (page 4 & 5) on June 6, 2007 - “Growing Pains”

  • I-Weekly Magazine (Page 64) on June 9, 2007 - Movie Reviews (under upcoming local films releasing this year)

  • UW Magazine (Page 42 & 43) on June 9, 2007 - Hot Reels (also under upcoming local films releasing in 2007-08)

Wednesday, May 30, 2007

Cannes Film Market 2007

The most important trip on any producer's calendar - the Cannes Film Market. Eng Tiong and I are really excited to finally make it to Cannes. Our maiden trip is a short but really fruitful one.

After having been to Pusan, Taipei and Hong Kong, this is our best market ever. We received strong interest from buyers and sales agents. Besides making new friends with contacts from around the world, we've met up with friends first established at other markets.

Compared to the first time at Pusan last year when we hardly know anyone, we're slowly but surely building up relationships.

Eng Tiong - outside the market, entrance facing the sea. Using this entrance is preferred as there's less people using it than the front entrance, which is always packed.


The main entrance to the film market. On the left side is the Cannes Film Festival red carpet for films in competition in the main category. On the right side (not in picture) is the blue carpet for films in the Un Certain Regard category.

The Singapore Booth at Riveria F9 - front view.


The Singapore Booth at Riveria F9 - side view.


Jen Nee - looking busy... with our movie poster right on top.

Advert by MDA at the film market.



TRUTH BE TOLD found right at the bottom of the advert. Moral of the story - like everything else, don't name a movie at the back of the alphabets!



At the Australian-Singapore Co-Production Panel Session at the Australian Film Commission Office.


The view from the Australian Film Commission's office along the La Croisette. Splendid!

At the Singapore Networking Cocktail Party (would have loved to take more pictures but was really busy getting acquainted and re-acquainted with guests.)

The Singapore delegation. A rep from each company - 1st row (left to right) Mun Chee (Big Machine), Chris (Monsoon), Mr. Man (MDA/ SFC), Pok (Creative Room) & Thomas (Lighthouse). 2nd row (left to right) Andrew (New Asia), Eng Tiong (Pilgrim), Savi (Teamwork) & Juan (Shooting Gallery). Last row (standing, left to right) Zai (Oak3), Julia (LeBrocquyFraser), Titus (Cubix) & Emida (Ark).


Read more about other aspects of our trip at Pilgrim's Blog.

Wednesday, April 04, 2007

A Year Ago... A Flashback

Bernard, our main cast member playing cameraman Damien Pang, called me this morning to say hi. Cos' today a year ago, we officially started the shoot!

I remembered April 4, 2006 clearly. The weather was great in the morning and early afternoon. And then it turned dark, there's thunder and a heavy downpour. We had to call off the shoot after just completing 1 and half scenes. Today's weather is a little like last year's. Fine in the first half but gets dark around 3 pm.

Just remember - if you need bright, sunny weather all day long, don't shoot in April!

Actually, it marks 2 years for Eng Tiong and I since we put pen to paper drafting this story. Juan wasn't kidding when he said it's going to be a marathon. 2 years whizzed by just like that. By far it's been the toughest 2 years of my life. Strangely, I think they are my most well-lived. (Probably means I've aged tons but hey, wrinkles = got character! *wink*)

Right now we're preparing our next trip, this time to the Cannes Film Market in May. We're also starting preps for our film's release in Singapore in the 3rd quarter of 2007. Yes, still have lots more to do... jia you, jia you!

Thursday, March 29, 2007

Hong Kong FILMART 2007

Very excited to be at the Hong Kong Filmart, since it's our first time at this market.

It's very different from Pusan and Taipei. It's much bigger and it's definitely a stars-spotting extravaganza - Asian style.

We've also had a great time meeting and getting to know more people!

Would have loved to close some deals though, but well, seems like most buyers aren't very serious about buying at this market.

Eng Tiong outside Hall 5, where the main film market activities took place.


At the Singapore Pavilion.

At the Asian Film Awards ceremony.


Tony Leung (podium centre), the ambassador of the Entertainment Expo


Andy Lau giving a thank you speech after receiving the Nielsen Box Office Star of Asia Award


The power of Andy Lau... need I say more?

BUT the one getting the most screams... Rain, of course!


At the Singapore Networking Luncheon, Eng Tiong and Jen Nee with Danny Chan, Editor of Asia Image.
(photo courtesy of Marcus & team - thanks!)

Wednesday, March 21, 2007

Eng Tiong on "My Paper" Web Portal

Eng Tiong was recently interviewed by the Chinese-language newspaper "My Paper" or "WoBao". He is featured talking about our trials and tribulations of finding buyers for Truth Be Told at film markets.



View trailers of some of the local movies here:
http://www.mypaper.sg/myvodcast/20070319sporefilm_a/20070319sporefilmposter_main.html

Sunday, March 04, 2007

Final Colour Grading Session

We had our last colour grading session at Digipost last Wednesday. Here's some pictures:


Colourist Azman tweaking the colours for an outdoor scene.




From L to R: Colourist Azman, Director Eng Tiong and DP Amandi (back facing picture) in discussion. I doubt it's over the colours cos' it's pretty much agreed upon & fixed. I think it's over digital cinema encoding issues.




Director Eng Tiong & Online Editor Chris hard at work. Guess why are they so serious? What else but the time code! They are doing a final check to make sure that in/out timecodes are correct cos' we're breaking the movie into 5 different "reels". What for? For transferring the movie to film. Each reel must not be more than 20 minutes cos' that's how long a reel of film is. We're also checking the timecodes very carefully as the sound is done separately. So when we put the images together with the audio, whether on film or as a D-Cinema digital version, the audio is in-sync with the image.




Whether you love or hate the colours you see in the final movie, the culprits - Colourist Azman, Director Eng Tiong and DP Amandi.




Oh, and erm... moi the Producer too!

Saturday, February 17, 2007

Happy Chinese New Year!

Once again, another brand new lunar new year. We've started the project in the Year of the Monkey and now it's the Year of the Pig. Wow, what a marathon!

The movie is finally coming to fruition and we're looking at releasing it in Singapore this 3rd quarter. And being the auspicious Year of the GOLDEN Pig, it can't be a better sign!




Friday, February 09, 2007

The Test

(Left to right) DP Amandi, Colourist Azman, Director Eng Tiong & Cam. Assist. Alex

Our movie is digitally encoded and ready for a test screening this morning. Finally! We've been running tests on our trailer but this is the first time we sat through the whole 84 minutes watching it on a theatrical screen.


Our movie, as captured off the cinema screen.

The results are amazing! We couldn't be happier. We're going to run another round of test, this time to do some slight tweaking to a few outdoor shots & also somemore tweaking to the sound. Yes, we're probably being anal, but hey, it's our first baby. It definitely deserves all the TLC we could give!

Saturday, January 06, 2007

Who Cares about Singaporean Films? Lessons learnt from Taipei...

We're wrapping up our post production work soon. I know, I've been writing about wrapping up for the longest time. I guess fate works in erm... mysterious (and slow) ways?

The long holidays did get in the way, but it's probably for the better, allowing all of us time to catch up on sleep and to see the fireworks! (Yes, Eng Tiong and I are suckers for fireworks.)

And something interesting to share here about our last trip of 2006:

Last November, we're in Taipei, attending the Taiwan International Film & TV Expo.

Of particular interest is the forum on the Taiwanese film industry. With a population of 23 million, the Taiwanese filmmakers think that their market is too small to support their local movies.

And then I look at Singapore with only 4 million people, a mere fraction of theirs. If Taiwanese filmmakers think they are in dire straits, I don't know what to think of ours.

Another event that is extremely helpful is the Promotion Plan. It's a pitching platform for project ideas, be it film, animation or a TV series. Judged by a panel, the winner gets NT$1 million or about US$300,000.

It's helpful for us not in the sense that we got to pitch. We didn't. But we learnt just as much watching and listening to filmmakers pitch.

The scale of their projects are mostly huge, with a wish list of big-name cast who are currently beyond our wildest dreams to get. But here it is, standing within 10 metres from us, these filmmakers are working it. Wow.

But the sad thing is, Singapore talent (especially actors) isn't mentioned in their pitch. There's Taiwanese, Hong Kongers, China Chinese, Koreans, some Japanese and even Americans. To put the little red dot on the media/ filmmaking map is a pretty long and tough road.

One thing we realise - most people don't care what Singapore is, let alone where. Thus who seriously cares about stories coming out of this place? Even Singaporeans don't support local movies. How can we expect foreigners to do so?


And that is one of the major issues that we Singaporean filmmakers have to grapple with.

On one hand, I've heard snide comments from Singaporeans who are sick and tired of films that talk about the Singaporean identity and Singaporean issues. And on the other, there're also Singaporeans who hated films that are supposedly "Singaporean" productions but aren't quite "Singaporean".

Maybe what Christine Pernin, a representative from Unifrance who was on the discussion panel on the Taiwanese film industry, said is true. She said that filmmaking is like fashion. One day a certain fashion look is in, another day it's out. The fashion designers have no way of knowing what will work and what wouldn't for the next season but they keep trying anyway, going with their guts.

I guess in our "uniquely" Singapore setting, where failure is still a stigma, we need alot more guts (and money, of course) to go create our stories. And like all ordinary Singaporeans, I am also very much afraid of failure. I remember when we were little, only a few students would put up their hands to answer the teachers' questions. Only if you're 100% sure would you even raise your hand. The right answer will get you an approving nod and smile from the teachers and admirations (albeit secretly) from fellow students. But a wrong answer earned scowls from teachers and laughters from peers. So if we weren't even sure what is the right answer, we'll never risk putting up our hands for a shot at that 50% chance of success, because all we see is that 50% of failure.

Then why did we make Truth Be Told in the first place? Well, I guess between our fear and our guts, our guts got the better of us.

But being a typical worrier, I tend to concentrate on that 50% chance of possibly being a failure. Thanks to Eng Tiong (a.k.a Mr Sunshine), he has a better suggestion - concentrate on that 50% chance of possibly being a success.

So who cares about Singaporean films? We do! (Cos' if you don't, nobody will.)

May 2007 be a great year for our film industry!

HAPPY NEW YEAR!

Thursday, October 26, 2006

Asian Film Market 2006, Pusan, Korea

Eng Tiong and I were at the Asian Film Market in Pusan, South Korea, which took place over 4 days from October 15 - 18.

Being the very first time ever at a film market, it is actually bewildering. How do you go about selling your film?

Eng Tiong and I had a discussion before we set foot in Korea. Our film isn't complete yet, so we definitely don't want to show it to anyone at this point.

From an article found on the internet, the advice is to NEVER show a work-in-progress to any buyer or distributor. NEVER. The thing is - a person, no matter how convincingly they say they are professionals & thus will understand, will never be able to remain free from judgement. That is only human. So the first impression of your work - a work-in-progress - will be forever etched in their minds. And it isn't a good thing.

I only wished that I have come upon this article earlier so we wouldn't be so hard on ourselves. We showed our work-in-progress to people. Most can't imagine, they can't envision how the final movie will be like. Even the music, the sounds - as temporary substitutes - they take it as it is.

Those were pretty dark days.

I remember hearing or reading somewhere that if someone complains about the imagery in a film, it usually has to do with the sound. And increasingly, we see the importance of the soundscape in a film. It enriches the visuals so much that it really affects how a viewer "see" a film. So yes, we're paying very close attention to our movie's sound design. (So Chee Wei, not to pressure you, but the final dimension to our movie lies in your hands!)

The one thing that kept us going is that we truly believe that Truth Be Told is good. It may not be the greatest film ever but it is definitely our best work yet. So there comes a time, after taking all the blows, that we turned our backs on what others have to say. It isn't a case of being stubborn or being deluded. I guess it's a fine line between that and believing in ourselves.

I digressed... Coming back to the point about our plans at Pusan, we decided that we're there to meet more people, especially distributors in the Asian region. We are not going there to specifically sell our movie. We're there to raise awareness that this movie exists, and that it is still a work-in-progress, and that we will keep them updated on our film's progress and inform them once it's completed. We are going there to meet up with distributors to find out what they are looking for and how they work, and to establish relationships.

I think we've pretty much achieved our goals. But to remain focused on our objectives in the sea of busy buyers and sellers closing deals left and right was rather difficult. I had to constantly remind myself why we're there so I won't fall into depression, being the pessimist that I've increasingly become.

So yes, we had a good time meeting up with distributors and sales agents from Korea, Japan, Vietnam, Hong Kong, Taiwan and the USA. We also happened upon Aaron Kwok and Charlie Yeung promoting their film onstage while strolling along the beach. Some of the guys saw Maggie Q and Andy Lau. Eng Tiong shook hands with Ann Hui and Fruit Chan. We've also visited the cineplexes where the film festival screenings took place. (Note: One of Eng Tiong's idiosyncrasies is cinema-spotting. So we'll always visit cineplexes when we're at new places.) Only wished that we had more time to catch more movies at the Pusan International Film Festival.

And a "souvenir" that Eng Tiong brought back with him - a minor case of food poisoning...





Eng Tiong at the Asian Film Market at Grand Hotel.












Jen Nee at the Asian Film Market at Grand Hotel.















Sales offices at the Asian Film Market. The Singapore Film Office is on the right.

















Our movie on the Singapore Film Office banner.















Pre-prep work: Our flyer.











Pre-prep work: Eng Tiong adjusting parameters on the plasma TV for the right aspect ratio for showing our trailer.











View of the Pusan beach from the Singapore Film Office at Grand Hotel. The building on the right is the Westin Hotel.










With prospective buyers at the Singapore Film Office. Our movie poster is in the middle.












With Taiwanese officials at the Taiwanese Networking Party.











The Pusan International Film Festival office by the beach. It's housed in containers but done up real hip & happening!













Korean "Hall of Fame"











Side dishes of an authentic Korean BBQ meal.