With the subtitling complete, TRUTH BE TOLD is now all ready to roll!
Mega Films' Elsie preparing a reel of our film.
Director Eng Tiong doing the "spotting" i.e. looking through the subtitles, making sure the timing & the sentences are right.
The journey of 2 pilgrims making their debut feature-length movie.
Mega Films' Elsie preparing a reel of our film.
Director Eng Tiong doing the "spotting" i.e. looking through the subtitles, making sure the timing & the sentences are right.

Teaser poster at GV Vivocity, just outside hall 8 & opposite the female restroom
Teaser poster at GV Plaza Singapura, just outside the female restroom
Title of Film: TRUTH BE TOLD
Eng Tiong posing with our teaser poster.Help us spot our posters and trailers! Leave a comment and tell us where you've seen them. Especially for our trailer, let us know:
1. Which GV cineplex?
2. Which movie you've caught with our trailer?
3. Which hall?
4. The movie's showtime
That'll greatly help us evaluate our marketing strategy!
For your kind help, we've rummaged through our drawers and closets to find a good reward...
The one who spots the most teaser poster locations & trailer spots will win A PAIR OF MOVIE TICKETS TO OUR CHARITY PREMIERE OF TRUTH BE TOLD ON SEPTEMBER 27, 2007!
Happy spotting! :)
July 26, 2007 officially wraps up post production. TRUTH BE TOLD is finally on 35mm! *pops champagne*
For the past 2 weeks, we were back in Hong Kong to complete the process. At Digital Magic, we went through a final round of colour grading on Da Vinci for film output. Then it's the kine transfer (from video to film) at Mandarin Labs.
It's quite strange to be in the lab alongside other upcoming Hong Kong films such as Flash Point and 19 Gates of Hell as well as Filipino & Indonesian films. But well... we'll get used to it!
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Colour grading at Digital Magic on a Da Vinci system & monitoring through a true HD professional monitor.
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A workroom in Mandarin Labs. 1 word - WOW!
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This machine colour grades the film print. It kicks out a strip of paper containing the encoded info and feeds it into the film developing machine.
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A film can - Reel 3 of 5 - containing our feature's answer print.
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The moment we've been waiting for... watching TRUTH BE TOLD on 35mm!
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Viewing a reel on a Steenbeck - Eng Tiong (left) with Ka Lik (centre) and "Sifu" reviewing scenes that require some further colour tweaking.
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Eng Tiong holding on to our "precious". 4 years of blood and sweat!

Jen Nee holding on to "precious no. 2" - trailer prints!

Packing them all up to bring back to Singapore! TRUTH BE TOLD in 5 reels weigh approximately 20 kg.
The main entrance to the film market. On the left side is the Cannes Film Festival red carpet for films in competition in the main category. On the right side (not in picture) is the blue carpet for films in the Un Certain Regard category.
The Singapore Booth at Riveria F9 - front view.

The Singapore Booth at Riveria F9 - side view.
Advert by MDA at the film market.

TRUTH BE TOLD found right at the bottom of the advert. Moral of the story - like everything else, don't name a movie at the back of the alphabets!
At the Australian-Singapore Co-Production Panel Session at the Australian Film Commission Office.
The view from the Australian Film Commission's office along the La Croisette. Splendid!
At the Singapore Networking Cocktail Party (would have loved to take more pictures but was really busy getting acquainted and re-acquainted with guests.)
The Singapore delegation. A rep from each company - 1st row (left to right) Mun Chee (Big Machine), Chris (Monsoon), Mr. Man (MDA/ SFC), Pok (Creative Room) & Thomas (Lighthouse). 2nd row (left to right) Andrew (New Asia), Eng Tiong (Pilgrim), Savi (Teamwork) & Juan (Shooting Gallery). Last row (standing, left to right) Zai (Oak3), Julia (LeBrocquyFraser), Titus (Cubix) & Emida (Ark).

Eng Tiong outside Hall 5, where the main film market activities took place.
At the Singapore Pavilion.
At the Asian Film Awards ceremony.
Tony Leung (podium centre), the ambassador of the Entertainment Expo
Andy Lau giving a thank you speech after receiving the Nielsen Box Office Star of Asia Award
The power of Andy Lau... need I say more?
BUT the one getting the most screams... Rain, of course!
At the Singapore Networking Luncheon, Eng Tiong and Jen Nee with Danny Chan, Editor of Asia Image.
(photo courtesy of Marcus & team - thanks!)
View trailers of some of the local movies here:
http://www.mypaper.sg/myvodcast/20070319sporefilm_a/20070319sporefilmposter_main.html

Colourist Azman tweaking the colours for an outdoor scene.

From L to R: Colourist Azman, Director Eng Tiong and DP Amandi (back facing picture) in discussion. I doubt it's over the colours cos' it's pretty much agreed upon & fixed. I think it's over digital cinema encoding issues.

Director Eng Tiong & Online Editor Chris hard at work. Guess why are they so serious? What else but the time code! They are doing a final check to make sure that in/out timecodes are correct cos' we're breaking the movie into 5 different "reels". What for? For transferring the movie to film. Each reel must not be more than 20 minutes cos' that's how long a reel of film is. We're also checking the timecodes very carefully as the sound is done separately. So when we put the images together with the audio, whether on film or as a D-Cinema digital version, the audio is in-sync with the image.

Whether you love or hate the colours you see in the final movie, the culprits - Colourist Azman, Director Eng Tiong and DP Amandi.